Tabla Nawaz Academy

Dhamar Taal Paran

The origins of Dhamar Taal are deeply intertwined with the Dhrupad tradition,

Dhamar Taal-14-beat rhythmi

Indian classical music, renowned for its rich tapestry of rhythmic structures, owes much of its depth to the art of tabla. Among the many rhythmic cycles

Visharad Part 2 preparation

Embarking on the journey of tabla learning is as enriching as it is challenging, and Visharad Part 2 marks a significant milestone for any tabla student.

Rela-15 matra-panchamswari

The tabla, a dynamic and versatile percussion instrument, is not just an accompaniment but a solo performer capable of creating intricate rhythmic cycles. One such captivating form of tabla solo is the Rela

Brahma Taal

Indian classical music is a treasure trove of rhythmic patterns (taals) that evoke awe and wonder. One of the rare and intricate taals is the Brahma Taal,

Basant Taal Taali Khaali video

The Basant Taal Taali Khaali video typically explores the nuances of Basant Taal, a unique rhythmic cycle in Indian classical music with 9 beats (matras).

Pancham Sawari Taali-Khali

Pancham Sawari Taali and Khali Pancham Sawari is a unique 15-beat (matra) rhythmic cycle used in North Indian classical music. Its structure includes four divisions (vibhags) with a pattern of 3/4/4/4 beats. The Taali (claps) occur on the 1st, 4th, and 12th beats, and the Khali (wave) is on the 8th beat. This intricate rhythm is known for its complexity and is often used in compositions for Khayal, Kathak dance,

11 bit Rudra Taal or Nilkanth Taal Pran

11 bit Rudra Taal or Nilkanth Taal Pran, Exploring the Mystical Rhythms of 11-Beat Rudra Taal and Nilkanth TaalThe tabla, a cornerstone of Indian percussion, thrives in its versatility and depth,

Khemta Taal Taali-khali video

The Khemta Taal Taali-Khali video typically explains the structure and rhythmic cycle of Khemta Taal, a 12-beat (matra)

Teen Taal Taali Khali video

For an introduction to the Taali (claps) and Khali (wave) in Teen Taal, you can watch detailed videos that explain their placement within the 16-beat cycle. Teen Taal features claps on beats 1, 5, and 13, while the Khali is on beat 9. These videos often demonstrate how to perform the rhythmic cycle with precision and highlight the distinctions between Taali and Khali in both theory and practice.