Tabla Nawaz Academy

“Rhythmic Royalty: Teen Taal Tukras from Banaras, Delhi & Lucknow Gharanas, 🎶 Rhythmic Royalty: Teen Taal Tukras from Banaras, Delhi & Lucknow Gharanas, The tabla, with its intricate rhythms and expressive flair, is one of the most revered percussion instruments in Indian classical music. At the heart of tabla artistry lies the tukra—a short, sharp composition that showcases a tabla player’s technical prowess and creative spirit. And when these tukras are performed in Teen Taal (a 16-beat rhythmic cycle), they become rhythmic masterpieces.

But not all tukras are created the same. Each tabla gharana—or musical lineage—brings its own flavor to these compositions. In this blog, we dive deep into the majestic world of Teen Taal tukras from three legendary gharanas: Banaras, Delhi, and Lucknow.


🥁 What is a Tukra in Teen Taal?

A tukra is a fixed composition, usually played at the end of a solo or improvisational section. It often ends with a powerful tihai—a phrase repeated three times to land on the first beat (sam) of the taal. In Teen Taal, which is divided into four sections of 4 beats each (4+4+4+4), tukras take on a structured yet expressive form.


🌆 Banaras Gharana: Grace and Grand Finale

The Banaras Gharana, rooted in the spiritual city of Varanasi, is known for its vibrant, dramatic, and often theatrical tukras. Banaras compositions are rich in bols like “Dha”, “DhaGe”, and “DhaTun” that explode with sound and flair.

Signature Style:

  • Use of bol bant (division of phrases)
  • Powerful tihai finishes
  • Emphasis on Na and Tin strokes with clarity

💡 Fun Fact: Banaras tukras often incorporate kathak-style rhythmic interplay, a reflection of the city’s deep ties with dance traditions.

🎧 Listen: Check out a Banaras-style tukra here: YouTube Sample – Banaras Gharana Tukra


🕌 Delhi Gharana: The Oldest Pulse

The Delhi Gharana is considered the oldest tabla gharana, dating back over 300 years. Known for its clarity, purity of sound, and traditional compositions, the Delhi tukras in Teen Taal are deeply mathematical and melodically structured.

Signature Style:

  • Balanced compositions with clean bols
  • Use of natural hand technique
  • Elegant tihai patterns with minimal flash

🎧 Listen: Experience a traditional Delhi tukra here: YouTube Sample – Delhi Gharana Tukra

💬 Quote: “The Delhi gharana teaches the tabla like a language—every tukra is like poetry with punctuation.” — Ustad Amir Hussain Khan


💃 Lucknow Gharana: Elegance and Expression

The Lucknow Gharana is known for its graceful, aesthetic style—born from the courtly traditions of Nawabs and strongly influenced by Kathak dance. Tukras from this gharana are often elegant, flowing, and artistic in presentation.

Signature Style:

  • Graceful bols like “DhaDha”, “TinNa”
  • Lyrical composition structure
  • Close tie with layakari (rhythmic play)

🎧 Listen: Explore the beauty of a Lucknow-style tukra: YouTube Sample – Lucknow Gharana Tukra


🎼 Why These Tukras Matter

Each of these gharanas offers a unique perspective on rhythm. Whether it’s the power of Banaras, the purity of Delhi, or the poise of Lucknow, Teen Taal tukras are a window into the soul of each tradition. They are not just rhythms—they are musical identities passed through generations.

Want to hear all three side-by-side? Here’s a curated performance video comparing each style:
🎥 Watch: Teen Taal Tukras – Banaras vs. Delhi vs. Lucknow


🧠 Quick Quiz: Can You Match the Tukra to the Gharana?

Which gharana is known for the most dramatic tihai endings?
A) Delhi
B) Banaras
C) Lucknow

👉 Answer below in the comments or take our quiz here! [Interactive Quiz Link]


🥁 Final Thoughts

From the thunderous strokes of Banaras to the regal poise of Lucknow and the foundational grace of Delhi, Teen Taal tukras are a testament to tabla’s timeless legacy. Each gharana brings a different flavor, technique, and emotion, making the exploration endlessly rich.

🎧 Call to Action: Dive into the rhythms. Try playing a tukra yourself, or listen deeply to the differences. The tabla doesn’t just beat—it speaks.


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TABLA NAWAZ ACADEMY