The tabla, a dynamic and versatile percussion instrument, is not just an accompaniment but a solo performer capable of creating intricate rhythmic cycles. One such captivating form of tabla solo is the Rela, a fast-paced, rhythmic composition. In this blog, we’ll delve into the Rela set in Panchamswari Taal, an unusual and fascinating rhythmic cycle of 15 beats, and explore its artistry and relevance.
Understanding Rela in Panchamswari Taal (15 Matra)
The tabla, a dynamic and versatile percussion instrument, is not just an accompaniment but a solo performer capable of creating intricate rhythmic cycles. One such captivating form of tabla solo is the Rela, a fast-paced, rhythmic composition. In this blog, we’ll delve into the Rela set in Panchamswari Taal, an unusual and fascinating rhythmic cycle of 15 beats, and explore its artistry and relevance.
1. What is Rela in Tabla?
Rela is derived from the Hindi word “rela”, meaning a flow or torrent. In tabla performance, a Rela is a composition marked by rapid, continuous strokes that maintain a seamless flow of rhythm. It is often played at high speed to showcase the tabla player’s dexterity, precision, and sense of rhythm.
2. Panchamswari Taal: The 15-Matra Rhythmic Cycle
Panchamswari Taal is an intricate and rare rhythmic cycle with 15 beats (matras). It is divided into segments or vibhags as follows:
| Beats (Matras) | 4 + 4 + 4 + 3 |
|---|---|
| Clap (Tali) | 1st, 5th, 9th |
| Wave (Khali) | 13th |
Notation:
- Dha Dhin Na | Dha Tin Na | Dha Dhin Na | Tin Na Dhin
- This provides a unique flavor due to the 3-matra tail, distinguishing it from more common taals like Teentaal (16 beats).
3. Rela in Panchamswari Taal: The Flow
In Panchamswari, the challenge lies in the odd cycle. A Rela composed in this taal will often:
- Play with the balance between the 4-matra vibhags and the 3-matra section.
- Require precision in articulating the fast strokes to maintain clarity despite the odd number of beats.
Example:
Here’s a simplified Rela in Panchamswari:
Dha Ge Na Dha | Tira Kita Dha | Ge Na Dha Ge | Tira Kita Dha Ge Na Dha | Tira Kita Dha
4. Famous Performances Featuring Rela in Odd Taals
Tabla maestros like Zakir Hussain and Anindo Chatterjee have explored odd-matra taals like Panchamswari in their solo recitals. Their performances often demonstrate a masterful balance of speed and creativity, bringing out the beauty of such complex rhythms.
5. A Quiz on Panchamswari and Rela
Question:
In the structure of Panchamswari Taal (15 beats), on which matra does the khali fall?
- A) 4th
- B) 9th
- C) 13th
- D) 15th
(Answer: C – 13th)
6. Practice and Learn Panchamswari Rela
If you’re inspired to explore this taal, here are a few resources and tutorials:
- YouTube Channels: Look up tabla tutorials by professionals like Pandit Yogesh Samsi or Ustad Zakir Hussain.
- Books: “The Art of Tabla Rhythm” by Sadanand Naimpalli provides excellent insights into odd-matra taals.
Conclusion
Rela in Panchamswari Taal challenges both the performer and the listener, offering a mesmerizing blend of technique and artistry. The odd number of beats, combined with the rapid strokes of a Rela, creates an exhilarating experience, proving the tabla’s unparalleled versatility in Indian classical music.
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